Songdreaming

Sam Lee releases his fourth studio album, ‘songdreaming’, on March 15th. The follow up to
2020’s ‘Old Wow’, an album variously described as ‘A dazzling fusion of nature and song’
(The Observer) and a ‘sublime album that demands to be heard in the 21st century’ (The
Daily Telegraph) amidst a host of critical acclaim, ‘songdreaming’ was recorded throughout
2023. The album sees Sam continue his work with producer Bernard Butler and long-term
collaborator, arranger, and composer James Keay in creating an album rich in musicality and
invention.
‘songdreaming’ represents the latest stage in the development of Sam Lee’s music, from its
roots in traditional folk song to a new way of imagining and performing these old songs,
making them relevant for a modern audience.
‘songdreaming’ may be built on the backbone of double bass, percussion, and violin but is
infused with a world of instrumentation including the Arabic Qanun, Swedish Nyckelharpa,
small pipes, and more. Across the ten tracks, Sam delivers an album that ranges from more
immediately identifiable acoustic songs to drone soundscapes through to the electric guitar
and gospel choir propelled lead single, ‘Meeting Is A Pleasant Place’, featuring the recording
debut of Trans Voices, a London based transgender choir.
It is an album that can incorporate the beautiful balladry of ‘Sweet Girl McRee’ alongside the
gospel tinges of ‘Leaves of Life’ whilst also housing the whiteout noise close of album
opener ‘Bushes and Briars’, a song that details Sam’s rage at the treatment and condition of
the natural world.
Nature, and the natural world, remain Sam’s primary lyrical concern. He characterises the
album as “a mosaic of the emotions felt in my time outdoors, that artistically emerge in
reflective moments when I’m permitted to recount and articulate the complexity of all I
witness and thus feel responsible for”. In taking songs that are directly related to the nature
of the British Isles, weaved into its very being, Sam is continuing to reinvent and
contemporise a tradition of communion with the land through song.
What that means to the listener is a rich and evocative journey through the complex
emotions created for Sam by his engagement with nature and his deep-felt affinity for it,
drawing on sources as diverse as the sacred music of European and global mystic traditions,
the work of neo-classical contemporary composers, and the simple effectiveness of a well
delivered vocal melody. At the heart of ‘songdreaming’ is a belief in the fundamental power
of music to connect and inspire. For Sam, these reimagined and reworked songs are more
than a history, they are a living, breathing connection to our very being:
“Those people who are and were singing the old songs here at home were also looking after
the land. When we stop singing to the land, the land stops singing back.”
‘songdreaming’ marks a further evolution of Sam as an artist, from his initial appearance as a
curator of ancient song through to the creator of a new musical language for the canon and
the meaning contained within it. It is an album that avoids simple classification, the revelation
of an artist at the height of his creative powers, dedicated to both his message and its
connection to its audience.