Self Hell

In a strange way, this feels like a second debut, we have the same excitement and nervousness around releasing it, like it’s the first step of the band’s career. Our youthful inspirations have taken the forefront on this record. We find the scene that we’re associated with overcrowded, diluted, and for the most part uninspiring. This isn’t an admission of some cocky attitude towards our ‘superior’ music, more so that we’ve been drawing inspiration from an array of misfit artists far from where you would usually pigeonhole While She Sleeps rather than the typical metalcore movement that surrounds heavy music. Each member has brought in a different perspective of inspiration so far apart in genre that it has left us with a very odd and satisfying sonic. To name a few, Kendrick Lamar, Aphex Twin, Prodigy, Fat Boy Slim, Limp Bizkit, Radiohead, Gorillaz, Bicep, Rammstein, AFI, Janes Addiction, Placebo, Deafheaven, Alice In Chains.

That old-school buzz of the Brit-pop scene in the 90s has somehow made its way back home into our melodies and the whole swagger of the album. We were all brought up in mining villages and considered common lower-class folk. As kids, we all grew up on the ‘sounds of England’, the sound of nothing to lose and everything to gain.