Lifeblood (20th Annniversary)

Described by Nicky Wire as “our most estranged album of all” the record came at a time when the band were reflecting on what they had become and what they could be. The band looked to the music they had liked when they were young for inspiration, New Order circa ‘Low Life’, Prefab Sprout ‘Steve McQueen’, Thomas Dolby ‘The Flat Earth’, early Simple Minds, and the kind of cerebral electronic pop that dominated the early-to-mid 1980s. Wire said at the time The main lyrical themes are death and solitude and ghosts. Being haunted by history and being haunted by your own past.” James Dean Bradfield commented “I loved making Lifeblood, because it was interesting. I loved chasing these other versions of what we were trying to do.” They started work in Cardiff before heading to New York to work with legendary producer Tony Visconti. Next stop was Ireland with Greg Haver, the producer who had worked on their previous two albums. Finishing touches were brought by Tom Elmhirst (Bowie/Goldfrapp/Adele), the mix engineer who gave the songs a lustrous sheen and sparkle,
which combined their backwards glances with a hint of futurism. Mojo Magazine described it at the time as “An album that nails its subtle-but-tenacious hooks with dignity and maturity”. First single ‘The Love of Richard Nixon’ entered the UK charts at No. 2 but the band were unsure about it being the first music from the album. Nicky Wire explained “It sounds like nothing we’ve ever done. It doesn’t sound like us at all.” The next single ‘Empty Souls’ also
debuted at No. 2 and the group finished the year with an arena tour.